WebMar 7, 2024 · Instead of a recording studio’s dry acoustics, classical productions thrive on a location recording setup where the acoustics have been thoughtfully taken into consideration. A venue’s acoustics are a … WebJul 12, 1999 · On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.
Stero pair to record classical music - Gearspace.com
WebApr 15, 2024 · Stero pair to record classical music Hello, It's frustrating to choose a pair of good mics to record classical music. It's more simple to choose a good recorder, Sound devices for example is certainly very good, but there are a lot of mics each with its own characteristics. For example: - Beyerdynamics 930: are they too smooth? WebSep 27, 2004 · My Studio. 🎧 15 years. As a reference for what relatively cheap mics can accomplish, here is a pair of XAUDIA modded* Reslos (cheap british ribbon mics from the 60s!) used to record a church organ: Xaudia Blog, studio recording and microphone musings. It's a simple recording, but works well to my ears. 1. ship breaking video
Guidelines for miking a symphony orchestra with A-B …
WebJan 6, 2024 · My approach is mix to stereo and then do any edits, but I don't have a lot of tracks on a classical location recording - generally less than eight. If you happen to use Reaper as your DAW, it is possible to do 3 and 4 point edits using scripts developed by users or via the Cohler Classical software package. Lots of discussions here at … WebDec 28, 2005 · Not all classical recording is done digital. There are excellent projects that are recorded on analog tape--especially string quartets, string orchestra, early music ensembles. It used to be that the classical engineer who recorded analog was considered a troglodite or someone who wasn't "up to speed" with the latest techniques. Digital reigned! WebClassical music recordings require a great amount of good preamps, such as RME your university has and a great start. Go with a mixpre-10 so that you have enough mic channels to cover most basis. If your budget is still constrained then your best option is the F8 for most channel counts. ship breaking wikipedia